Piety Street Studios Blog
mic Rant
Written by Administrator
Tuesday, 25 August 2009 20:25
August 19, 2009 New Orleans
microphones.
seems like I spend too much time mulling over mics and their day to day use.
I see so many engineers and producers come and go. work at Piety for a day or a week or a month. They all use different mics and mic techniques.
Sooner or later one realizes that what we do is all fake. We make replicas. Model cars and boats, sound version.
What David Chesky does with such a pompous attitude, or how Dylan goes for putting everyone in the same room and singing through a guitar amp; it's no more real than Dana Kletter ghost singing for a punk princess or Britney Spears
auto tuned to submission. We're all replicants.
We make sonic images- but it's the way we choose to mess with it that makes it or breaks it.
All those "Natural Sound Field " folks who think they are more true to some reality or more natural are missing the point.
It's not real.
Orchestra recordings are drenched with reverb, etc etc. Whatever so-called depth of field we manage to accomplish will be obliterated as soon as
there's Mastering involved, so....
what's the point ?
Musical balances, not recording "quality", makes the difference...
Now, there are musical balances and there are "keep getting big shot producer gig" balances and there are "Bass Player Sucks so this record is bass shy" balances and there are "Please The Mastering Engineer" balances... and on and on. Balances seem to have have ulterior motives based upon market and money and pecking order and radios and other sub sets of the dying world that was the record biz.
I can understand how many people get upset over with today's sounds. To me, there's more great music now that ever and we are freed from the tyranny of "commercial " sound... that is perfect -gulp- yawn- vomit- "major label" sound... meaning brighter than the Sun, louder than
a plane taking off and compressed as a Black Hole. I prefer to let whatever works rule the day. Just listened to Jeffrey Lewis and I realized how
unsatisfying the music might have been if presented in an overly upscale way.... Now, maybe Jeff Lewis is so personally lo-fi that this record was made with U-47's into Great Rivers into mint 1176's etc, but I doubt it...
I remember all the shit I got over the Flat Duo jets record in 1989... live to 2 track with fx on the fly -direct to sony PCM-501... utter gahbage technically..
but I did have APIs on the way in.... anyhow, people lambasted me for making a record that sounded like 1959... not ersatz Stray Catish, faux 50's embellishment, but actual Sam Phillips seat of the pants action. We did what we did. To me it was appropriate. The response, based on Money, was clean these bitches up and get a Radio record.... alas, they got the late Mr. Dickinson to do the follow -up and , while a touch cleaner and more
respectable, it still failed to put the band over the top...
Ok, it's getting late and we'll pick this up later
green Gumbo
Written by Administrator
Tuesday, 25 August 2009 20:20
slow cook green gumbo (gumbo Z'herbes) a tag team recipe from Mark Bingham
and Tanner Menard (actual cajun)
this is a "fusion" gumbo... still a gumbo, but with many asian ingredients.
The spirit of gumbo is using locally available ingredients.
this gumbo is obviously a gumbo but Louisiana people will say "that's
different". I like it, but then, I like greens of all kinds.
a dozen kinds/bunches of greens:
from asian market: edible chrysanthemum, spinaches, celery, bok choy
related greens, mustard, collard, turnip, potato greens, take your pick
1 lb. andouille cut into small pieces
1/2 lb. tasso cut into matchsticks
1 onion, 2 cloves garlic, cup vietnamese celery sauteed into roux
2 leeks
cajun and viet dried shrimp- chopped to dust
3 red chiles - in big chucks to remove later
3 tomatoes - chopped
2 onions
2 cups leftover pace salsa
4 roasted jalapenos chopped
2 cups okra - fresh or frozen
2 tablespoons file
6 cloves garlic- minced
10 shakes of liquid smoke
roux- 2 cups whole wheat flour and 2 cups veg oil, garlic and onion
2 Anaheim peppers
anise (tsp)
cayenne, Adobe, bl pepper, (pinch) lemon grass powder
1/2 cup of zatarain's crab boil
3 lbs fresh (or frozen) shrimp
directions:
clean and chop greens and leeks
put 75% of greens into a slow cooker put the rest aside in airtight bag
add water to cover greens and cover pot on 300.
saute meat, chiles, tomatoes,celery, onions, 2 cloves garlic, liquid smoke
add to pot
make the roux
add the onion, garlic and viet celery
add to pot
add spices
add 1/2 dried shrimp
cook for a few hours at 250
add okra
add 2 tablespoons file* (most people dont mix okra and file, but we did by
accident and it's OK)
add 1/2 the fresh shrimp
add crab boil
cook at 175 for many hours
add the rest of the greens, dried shrimp and rest of fresh shrimp
cook another 45 minutes at 300
stir
serve over rice
Page 5 of 5
<< Start < Prev 1 2 3 4 5 Next > End >>Past Posts
- Why Are we building such a big ship SET UP
- johnaye kendrick set up
- the book
- mark's happy talk band set up sept 6-9 2009
- altitude
- off beat article
- shrimp and tasso pasta
- PC story 2007
- Peter Stampfel's Notes for Dook Of The Beatniks
- Recipe 61009
- guide for hip hop hopefuls (circa 1995)
- My dinner with george july 2004
- mic Rant
- green Gumbo

